MENGS, Anton Raphael
German Neoclassical Painter, 1728-1779 Painter and writer, brother of Theresia Concordia Mengs. His early career was at the Dresden court; thereafter he worked principally in Rome and Madrid, notably on the frescoes at the Villa Albani and the Palacio Real respectively. As an early exponent of Neo-classicism he produced some impressive classical and religious scenes, though he was most accomplished as a portrait painter. Under the influence of Johann Joachim Winckelmann he also wrote some theoretical works, of which the most important is the Gedanken ber die Schenheit und ber den Geschmack in der Malerey (1762). Although acclaimed during his lifetime
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MENGS, Anton Raphael Charles III oil painting


Charles III
1761 Oil on canvas Museo del Prado, Madrid.
Painting ID::  19376 		MENGS, Anton Raphael
Charles III
1761 Oil on canvas Museo del Prado, Madrid.
   
   
     
MENGS, Anton Raphael The Adoration of the Shepherds oil painting


The Adoration of the Shepherds
1770 Oil on panel Museo del Prado, Madrid.
Painting ID::  19377 		MENGS, Anton Raphael
The Adoration of the Shepherds
1770 Oil on panel Museo del Prado, Madrid.
   
   
     
MENGS, Anton Raphael Self-Portrait oil painting


Self-Portrait
1779 Oil on panel Gemäldegalerie, Berlin.
Painting ID::  19378 		MENGS, Anton Raphael
Self-Portrait
1779 Oil on panel Gemäldegalerie, Berlin.
   
   
     
MENGS, Anton Raphael Allegory of History (mk08) oil painting


Allegory of History (mk08)
c.1772/73 Fresco, 420x260cm Rome,Vatican,Biblioteca Vaticana,Sala dei Papiri
Painting ID::  21949 		MENGS, Anton Raphael
Allegory of History (mk08)
c.1772/73 Fresco, 420x260cm Rome,Vatican,Biblioteca Vaticana,Sala dei Papiri
   
   
     
MENGS, Anton Raphael Self-Portrait oil painting


Self-Portrait
1744 Pastel on paper, 55,5 x 42,5 cm
Painting ID::  29638 		MENGS, Anton Raphael
Self-Portrait
1744 Pastel on paper, 55,5 x 42,5 cm
   
   
     
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     MENGS, Anton Raphael
     German Neoclassical Painter, 1728-1779 Painter and writer, brother of Theresia Concordia Mengs. His early career was at the Dresden court; thereafter he worked principally in Rome and Madrid, notably on the frescoes at the Villa Albani and the Palacio Real respectively. As an early exponent of Neo-classicism he produced some impressive classical and religious scenes, though he was most accomplished as a portrait painter. Under the influence of Johann Joachim Winckelmann he also wrote some theoretical works, of which the most important is the Gedanken ber die Schenheit und ber den Geschmack in der Malerey (1762). Although acclaimed during his lifetime

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